At the world premiere of Cemetery of Splendour at Cannes Film Festival last week, Apichatpong Weerasethakul’s newest work was well received. But despite receiving a standing ovation and being celebrated among film critics, the director came home empty-handed in the prize ceremony.

cemetery_of_splendour_1-450Set in his hometown Khon Kaen, Cemetery of Splendour (Thai: Rak Thi Khon Kaen), tells the story of Jenjira, a housewife who takes care of group of soldiers who suffer from a mysterious sleeping sickness (watch the trailer at the bottom).

In a recent interview with The Isaan Record, Apichatpong explained that the film is inspired much by his childhood memories of Khon Kaen, a city that is now slowly losing its identity, he said.

Cemetery of Splendour missed out on the official selection and was screened in the Un Certain Regard section, which presents “original and different” films. It is Apichatpong’s first feature-length film since his 2010 Palme d’Or-winning Uncle Boonmee Who Can Recall His Past Lives.

Apichatpong showed no regret that his film did not appear in the main section. On the contrary, the world premiere was a “stress-free situation,” he said, because his film did not have to prove itself in the competition.

And even though his film was not awarded a prize this year, it was lauded by both the audience and film critics alike. The Guardian’s Brad Bradshaw compares it with “a very calm sort of hysteria” and the applause after the first screening lasted well over ten minutes.

“I felt touched by the reception of the film. The standing ovation was longer than when I showed Uncle Boonmee which made me happy for my producers because together we worked so hard to get this film off the ground,” Apichatpong told The Isaan Record.

Cemetery of Splendour will be screening around the globe at many film festivals and will be released in France in September. However, it is unlikely that the film will hit Thai theaters any time soon.